If you aren’t listening to your 45 rpm records because changing the speed is a pain, or if you have to worry that you’ll forget to stop the player and cause extra wear on the needle, you aren’t getting enjoyment from it. ![]() Ease of use: Convenience features, like easy switching between speeds and a tonearm that automatically returns, become more important the longer you own a turntable.The ability to easily upgrade the cartridge to improve sound quality is also valuable. Ease of setup: Turntables that ask you to mount a cartridge, that need a separate stylus gauge, or that require advanced alignment of the cartridge can be hard for a vinyl novice to set up well.While most of these speakers are pretty cheap, some new models incorporate speakers with separate woofers and tweeters for better sound. All-in-one record players have the same issues, but they add speakers into the equation. Records can occasionally have pops, which some turntables are better at suppressing. Some turntables have better speed accuracy than others. Some have better bass with more detail and separation, while some do better with vocals. Sound quality: There is far more variation in sound quality between turntables than there is between digital music players.We stuck with the same price limit when considering all-in-one record players, although almost all of them cost much less than $600. In other words, a $1,000 turntable may sound better, but the improvements from spending $600 versus $250 are much greater than those from spending $1,000 (and up) versus $600. People after a high-end turntable can easily spend $2,000, $5,000, or even $45,000 (or more), but we’ve found that $600 marks a point of diminishing returns. Price: For dedicated turntables, we looked at those priced around $600 or less.I wish I could give you a more authoritative answer, but that`s the way these things go sometimes. ![]() The reason that the three speeds seem unrelated is that they are. So, apparently, the origin of all the record playing speeds is that, given technological limitations and market considerations, each speed seemed like a good way to go at the time each was introduced. I recall, however, endless hours of amusement gotten by playing Mom`s classical music albums on 16 2/3. That apparently was the sole domain of speaking records music didn`t sound good on that format. You may recall a turntable speed of 16 2/3 (I do) on some record players. had become the format for single records, and 33 1/3 r.p.m. While changing sides no more than once, if at all. The big appeal, of course, is that listeners could hear entire symphonies or Broadway selections on 33 1/3 ![]() The jukebox industry gave a big boost to the 45, but classical music and Broadway cast albums, from such shows as ''South Pacific,'' made 33 1/3 the format of choice. ![]() (The development of multi-speed turntables made this a bit easier.) For a brief time, many recordings were available in 78, 45 and 33 1/3 formats, but as far as sales were concerned, plummeting figures suggest that many consumers headed to the sidelines and waited out the fight. record the following year, and the struggle that followed is referred to as ''the battle of the speeds,'' and it went on for years. RCA Victor responded with the seven-inch, 45 r.p.m. Enthusiastic, so CBS went at it alone, offering the new discs, as well as inexpensive players, in 1948.
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